Sotheby’s Groundbreaking “Origins” Sale: A New Era for Art Auctions in Saudi Arabia
In a historic moment for the art world, Sotheby’s recently held its inaugural auction in Saudi Arabia, aptly named the “Origins” sale. This event not only marked the auction house’s first foray into the Saudi market but also introduced a groundbreaking feature: the acceptance of cryptocurrency payments for all lots. This innovative approach reflects the evolving landscape of art transactions and the increasing intersection of technology and creativity.
A Historic Auction with a Modern Twist
The “Origins” sale took place in Diriyah, a city rich in cultural heritage, and was met with great anticipation. The auction featured a diverse array of lots, including contemporary art, luxury handbags, and collectibles such as sports memorabilia. Among the standout pieces was Refik Anadol’s generative A.I. artwork, Machine Hallucinations, Space / Chapter II: Mars, which was purchased with cryptocurrency. This sale not only highlighted the growing acceptance of digital currencies in high-value transactions but also underscored Anadol’s rising prominence in the art world, as this piece became his third-most-expensive work sold at auction.
The Impact of Cryptocurrency on Art Transactions
While the total number of cryptocurrency transactions during the auction remains unclear, the sale of Anadol’s work for $750,000 (hammer price) and a total of $900,000 after fees to the Bity Foundation—a philanthropic initiative focused on art, blockchain, and community engagement—signals a significant shift in how art can be bought and sold. The Bity Foundation, established by Swiss tech entrepreneur Gian Bochsler, aims to bridge the gap between art and technology, reflecting a growing trend in the art market.
A Diverse and Successful Auction
The “Origins” sale achieved a hammer total of $14.4 million, aligning with its presale low estimate, and reached a total of $17.3 million after fees. The auction featured 117 lots, with a commendable overall sell-through rate of 66 percent. Modern and contemporary art performed particularly well, boasting an 80 percent sell-through rate and contributing $12.7 million—74 percent of total sales. This success illustrates the robust appetite for art in the region, particularly for works by local and regional artists.
Notable Sales and Record-Breaking Achievements
The auction showcased several notable highlights, including René Magritte’s L’État de veille and Banksy’s Subject to Availability, each selling for $1.2 million with fees. Fernando Botero’s Society Woman fetched $1 million, while James Turrell’s light installation The Light Underneath attracted seven bidders, ultimately selling for $660,000. Additionally, works by modern Arab art pioneers Abdulhalim Radwi and Louay Kayyali set records, with Kayyali’s Then What?? selling for $900,000 after intense bidding.
Interestingly, Middle Eastern art outperformed Western works, with 89 percent of the 28 Middle Eastern lots sold. This trend reflects a growing preference for local artists, as evidenced by Mohammed Al Saleem’s painting, which sold for $600,000—164 percent above its high estimate.
Mixed Results for Luxury Goods
Despite the overall success of the auction, the performance of luxury items such as jewelry, watches, and handbags was surprisingly lackluster, with sell-through rates of 39 percent, 60 percent, and 53 percent, respectively. This outcome was unexpected, given the affluent nature of the region and its perceived appetite for luxury goods.
A Global Participation and a Young Demographic
The auction attracted bidders from over 45 countries, with nearly a third of the lots selling to buyers in Saudi Arabia. Notably, the event drew a younger demographic, with over 30 percent of bidders aged 40 or younger. This trend suggests a shift in the art market, as younger collectors increasingly engage with contemporary art and innovative purchasing methods.
Looking Ahead: Sotheby’s Future in Saudi Arabia
Sotheby’s successful debut in Saudi Arabia is a clear indication of the burgeoning art market in the region. As the auction house plans to open an office in the Riyadh landmark Al Faisaliah Tower, designed by Norman Foster, it is poised to further capitalize on the growing interest in art and culture within the Kingdom. The results of the “Origins” sale serve as a testament to the depth of appetite for art in Saudi Arabia and the potential for future growth in this dynamic market.
In conclusion, Sotheby’s “Origins” sale not only set a new standard for art auctions in Saudi Arabia but also highlighted the evolving relationship between art, technology, and commerce. As the art world continues to embrace innovation, events like this pave the way for a more inclusive and diverse art market, inviting collectors and enthusiasts from all walks of life to participate in the vibrant world of art.
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